Drawing (247) from THE BASIS OF MAKE-UP

"Invasion hardware, 1944. Gulliver buried on the beach of Normandy. His naked back and buttocks stick out from the sand with water draining. Six views attached to it (seen from the observer), to the top right: the memory of known images (refreshing memory); to the top left: the construction of new visual impressions (bolts of lightning); straight to the front right: the memory of known sounds (locomotive); to the front left: the creation of new acoustic impressions (acute hearing loss); to the bottom right: the evocation of interior dialogues (occupation); and to the bottom left: the creation of feelings (temporary). When journalism wants to be moral, Der Spiegel sends a colleague with a flashlight as an executive to a Thai brothel and has a pederast photographed. He hides his face with his hands. Just like politicians understand themselves as mediators of the real. Thus, they would permanently have to explain capitalism, of which they understand nothing and which they mistake for guidance of the people." (From: Black Blocks, Cinema Scope #46, 2011).

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