Bickels [Socialism]
Bickels [Socialism]
Film by Heinz Emigholz
D 2015-17, DCP, 92 min, 5.1
Streetscapes – Chapter II
Photography and beyond – Part 25
Architecture as Autobiography
Samuel Bickels (1909–1975)
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Film by Heinz Emigholz
D 2015-17, DCP, 92 min, 5.1
Streetscapes – Chapter II
Photography and beyond – Part 25
Architecture as Autobiography
Samuel Bickels (1909–1975)
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Film by Heinz Emigholz
D 2013-17, DCP, 88 min, 5.1
Streetscapes – Chapter I
Photography and beyond – Part 24
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Film by Heinz Emigholz
The film contrasts the "Villa Savoye", built by Le Corbusier in 1931, and Asger Jorn’s "Grand Relief", built in 1959.
Le Corbusier [IIIII] Asger Jorn [Relief] contrasts the Villa Savoye, built by Le Corbusier in 1931, and Asger Jorn’s Grand Relief, which the Danish painter and sculptor produced in 1959 for the Århus Statsgymnasium. The film makes connections between what does not belong together, at least not according to the ideological stipulations of their creators.
“The film came about because I was intrigued by the premise of comparing two buildings that at first seem to have nothing to do with one another. A dialogue between thoroughly stylized clarity and declared wildness, both with ideologically trimmings. It was only by working on the film that I learned to appreciate the two works that had once left me indifferent: the delight of their creators in the productively implemented statement.” Heinz Emigholz
Film by Heinz Emigholz
The film juxtaposes/compares two museums: The Museum of Art, Ein Harod, Israel, which Samuel Bickels (1909-1975) built there in 1948, and The Menil Collection in Houston, Texas, built by Renzo Piano (b. 1937) 1986 . The method of natural lighting in Bickels‘s construction was the direct model for Piano, who adopted for his construction at the request of its patroness Dominique de Menil.
The shooting of the film TWO MUSEUMS / TWO MUSEUMS took place in March 2012 in Houston, Texas, and in May 2012 in Ein Harod, Israel.
International Film Festival Rotterdam 2014
Internationale Kurzfilmtage Oberhausen 2014
Jerusalem International Film Festival 2014
Doclisboa International Film Festival Lisboa 2014
VIENNALE Vienna, Austria 2014
First Look Festival at Museum of the Moving Image, New York 2015
National Gallery of Art, Washington DC 2015
PERRET IN FRANKREICH UND ALGERIEN
PERRET IN FRANCE AND ALGERIA
Photographie und jenseits – Teil 20
Photography and beyond – Part 20
Aufbruch der Moderne – Teil II
Decampment of Modernism – Part II
Architektur als Autobiografie
Architecture as Autobiography
Auguste Perret (1874-1954)
Gustave Perret (1876-1952)
Film von Heinz Emigholz
D 2012, HDV, 110 min (25 fps)
"All architecture is what you do to it when you look upon it." (Walt Whitman)
Decampment of Modernism – Part I / Photography and beyond – Part 19
Heinz Emigholz, D 2011, 100 min
"By going back to the Roman origins of the constructional core of modernism PARABETON will be together with the upcoming PERRET-film the finale of my film series Architecture as Autobiography." (Heinz Emigholz)
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Parabeton (Stills) / Flyer / Berlinale Catalog
A SERIES OF THOUGHTS
(Miscellanea IV–VII)
Photography and beyond – Part 15-18
D, 1986-2010, HD, color and b/w, 16:9 and 4:3, Digital sound, 91 min
EL GRECO IN TOLEDO, LEONARDO'S TEARS, ON BOARD THE USS TICONDEROGA and A MUSEUM IN ESSEN
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THE FORMATIVE YEARS – Extended Version
Ten films (1972–2004) by Heinz Emigholz
SCHENEC-TADY I – 1972/73, b/w, 40 minutes, silent
SCHENEC-TADY II – 1973, color, 19 minutes, silent
ARROWPLANE – 1973/74, color, 24 minutes, silent
TIDE – 1974, b/w, 34 minutes, silent
SCHENEC-TADY III – 1972/75, b/w, 25 minutes, silent
HOTEL – 1975/76, b/w, 27 minutes, silent and synch-sound
DEMON – 1976/77, b/w and color, 29 minutes, synch-sound
THE BASIS OF MAKE-UP I-III – 1974/2004, color, 94 minutes, sound
An installation of ten films (1972-2004) at EXTRA CITY – KUNSTHAL ANTWERPEN, September 17th until October 31st, 2010. All films on three DVDs with interviews etc. released by Filmgalerie 451.
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THE FORMATIVE YEARS
Der Zynische Körper
BRD 1986-90
35 mm, Format 1:1,37
s/w und Farbe
89 Min. (25 B/Sek.)
Regie, Buch, Kamera: Heinz Emigholz
Kamera- und Produktionsmanagement: Frieder Schlaich
Art Direction: Ueli Etter
Schnitt: Renate Merck
Lichtgestaltung: Axel Schäffler
Ton: Alfred Olbrisch
Filmcomputing: Klaus Dufke
Bauten, Ausstattung: Ueli Etter, Detlev Niebuhr
Regieassistenz: Andreas Senn
Script: Sandra Nettelbeck
Produktionsleitung: Werner Müller
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Stills DER ZYNISCHE KÖRPER